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#1 (permalink) |
Music Addict
Join Date: Oct 2013
Location: England
Posts: 97
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The 1975 - The 1975 (2013) ~ By Chris_Mills
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#2 (permalink) |
cooler commie than elph
Join Date: Sep 2012
Location: In a hole, help
Posts: 2,811
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Helloween - Keeper of the Seven Keys Parts I and II (1987-88) ~by Briks
Black Sabbath - Black Sabbath (1970) ~by Briks Modest Mouse - The Lonesome Crowded West (1997) ~by Briks
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#3 (permalink) |
Groupie
Join Date: Dec 2013
Posts: 34
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Manzarek, Ray - The Golden Scarab (1973)~ By TheLizardKing
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#5 (permalink) |
Groupie
Join Date: Jul 2014
Location: London, UK
Posts: 30
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G-Eazy -These Things Happen (2014) ~ by Nachoman13
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#6 (permalink) | |
Join Date: Dec 2014
Posts: 721
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Lennon, John - John Lennon/Plastic Ono Band (1970) ~ by Plainview
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#7 (permalink) |
Groupie
Join Date: Aug 2016
Posts: 3
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At number 5 in my Top 20 of 1989 is Spike by elvis costello without The attractions. Now elvis costello has been making albums for over a decade and his catologue stands
out for the variety and styles of music - he emerged with punk and developed into what was called new wave, a touch of reggare, R&B and ventured into American Country & western but has consistently been praised as a songwriter of quality with a special love for pop. His songs have always had a touch of class albeit at times his lyrics seem somwhat bewildering and beyond understanding. Some critics said that Spike was a bit like Jack of all Trades and Master of None as Elvis tried to entertain the masses with his vast repertoire of styles - for me this is the reason why he is the best songwriter since those guys that made records for Parlophone. Talking of macca he collaborates on 2 tracks - more of those later. so to give the album justice I’m going to fish through it track by track. the record was made at 4 different venues - London, New orleans, Dublin and hollywood with different musicians contributing at different venues. Who played where - a mystery apart from the obvious So let’s start with ‘This town’ with Roger McGuinn joining EC on guitar and harmony vocals it’s a well crafted pop song , catchy and a nice opener - next up is ‘Let Him Dangle’ - this is where things get serious - it’s a haunting homage to Derek Bentley , a young man with learning difficulties who was hanged for the murder of a policeman by an under aged friend who Bentley was with. Costello clearly lays out the case against capital punishment and a miscarriage of justice - the final jerky, crunchy rhythm guitar at the end creates imagery of a nose with it’s victim seconds before death. ‘deep Dark Truthful Mirror’ follows and there’s some nice piano from Allen Toussaint + brass accompaniement which takes you to the heart of New Orleans jazz quarter. Track 4 is the first track with Macca , ‘Veronica’ It’s bouncy pop with polished lead vocal from Elvis and you can hear that hoffner bass in there. ‘God’s Comic’ an acoustic blues is a stand out - Costello’s amusing view on life and death all it’s foolishness - some nice brass to add to the quality. By now the variety of musical styles are mounting - just wait - ‘Chewing Gum’ sound like an outtake from Punch The Clock - lovely tuba from The DirtyDozen Brass Band and it is funky but don’t expect Prince. The stand out track ‘Tramp The dirt down’ is costello’s epitaph to maggie Thatcher - problem is she wasn’t dead - Elvis launching his hatred and emotions at her grave side - dark stuff. The music is reminiscent of an Irish wake, beautifully played. An instrumental follows - ‘Stalin Malone’ - after a slow start it develops into a jig come free form jazz with brass - I’m not sure what Elvis does on it - maybe the bells. It’s kinda cute. ‘Satellite’ finds Chrissie Hynde helping EC on vocals. It’s a love song , a ballad and thoroughly pleasant. The 2nd McCartmey song is ‘Pad,Paws and Claws’ it’s a send up of rockabilly and forgettable - 1st dude yeh. ‘Baby Plays Around’ is a simple acoustic number and the title tells it all. It’s sung with sincerity and was co-written by Costello’s missus cait O’Roirdan. ‘Miss Macbeth’ is a musical hall umpa and recalls Imperial Bedroom. ‘Any King’s Shilling’ starts with a medievel lute I think and mid-way adds the Celtic feel- the music is very moving with violin - The song - not sure what it’s about - maybe a warning to a friend not go on a mission - could refer to Irish troubles in the past - anyway it’s a beauty. ‘Coal Train Robberies’ has a Stax intro - very R&B - reminds me of Get Happy a little.The album closes with ‘Last Boat Leaving’ another song where Elvis describes a community that relies on the sea and it is dying - nice harmonium So that’s it an album that requires many listens to handle the styles. NO 5 in my Top 20 for 1989 I nearly forgot - the album cover has a bizarre picture of Elvis as the Great Entertainer looking like The Joker |
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#9 (permalink) |
and the livin' is easy...
Join Date: Jun 2015
Location: New York
Posts: 1,997
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Welcome to le forum.
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Many have tried to destroy it... but... true evil never dies. It is only... REBORN SUGGEST ME AN ALBUM - I'm probably not going to listen to it but I will if you bother me enough. |
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#10 (permalink) | |
Groupie
Join Date: Nov 2021
Location: Switzerland
Posts: 40
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