Quote:
Originally Posted by Zero1986
Ssssshhh. I have nightmares about that song. I really don't know what possessed Billy to write that song or the record company to approve of it. I surely assume it's there to make the rest of Melon Collie sound better 
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I'm not too big on it either, but the end of Mellon Collie is one of my favorite parts. You've got "By Starlight," "Beautiful," and "Farewell & Goodnight." I still don't care much for "Lily" though. I disliked "Beautiful" quite alot at one point, but it has definitely grown on me. When I listen to it on my iPod, I can hear D'arcy in one ear and Billy in the other.
Quote:
Originally Posted by Nine Black Poppies
Maybe. Heh. But I still would've put "Set the Ray to Jerry" or "The Last Song" in its place.
Anyway, I really like Adore for the most part. As for the Machinas though... especially between them, there's probably a great album there, but neither Machina or Machina II is all that great the way it stands. There are a few songs that work really well with the treatment they're given ("Vanity," "Wound") but as whole albums they just sound too... homogenized for me--everything's kind of fuzzed out and glossy which prevents songs from standing out the way they did on prior records (MICS especially).
Anyway, intrigued for the rest of this.
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There are quite a few songs that could have replaced songs on Mellon Collie. 'The Aeroplane Flies High' is full of good songs.
Yeah Machina is overproduced, still a good album though.
I hope to have the Siamese Dream review up sometime soon.