^it takes alot to admit it I know... with Merzbow I can understand the appeal and periodically I will have a hankerin' for some deeply textured noise, but it just gets too much after a while.
However I do love the idea though of noise filling in the spaces; and should you choose to you can listen, picking out the nuances like you would in the silence of a quiet summer's afternoon - passing cars, distant birdsong. Except in this case the distant bird song is nails on an aluminium sheet drowning in a sea of white static. It's all relative.
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