It’s only about 25 minutes long. I feel like you’re part of a movement that is redifining and adding ambiguity to music as an art form that takes place over the course of time as opposed to say paintings that exist in time instead of for an amount of time. An obvious example of what you transcend is a slow blues track that’s only longer because it takes more time to get through the repetition of notes. What I’m saying is it seems to me that any of the tracks on Grey could get away with being much longer if you wanted to let the mood linger but instead you settled on a less is more approach and move on once the sonic statement has been established. What can you tell us about the length of the tracks from a compositional standpoint?
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