Quote:
Originally Posted by Anteater
There's an almost ritualistic melodic progression running through 'Bulerías de la Luna', for example, that reminds me more of oud music out of the Middle East.
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It's pretty prominent on the closer Sangre Gitana Y Mora as well. Maybe it's Moor influence? I wish Alyosius was around to drop some flamenco knowledge on us.
Quote:
Originally Posted by Trollheart
I'm not suggesting it's not, not at all. I'm sure this kind of singing is highly-prized and sought after in this genre, and I have no doubt she is recognised and celebrated as an excellent and accomplished proponent of her art. I'm not in any way saying she is wailing because she can't sing. I understand. But some things just don't chime with me, and this kind of singing sets my teeth on edge. Doesn't make it bad, doesn't mean it's not talent, or that I would counsel anyone else not to listen to it. But it is not for me. Love the guitar, hate the voice.
Again, shrug.
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I understand, I was just being sassy. Her voice has an almost whining or complaining inflection to it. I find that contributes to the organic emotions on the record, but I can see where it would turn you off a bit. It's also very up front in the mix and she has a lot of power to her voice to begin with, so it's hard to escape if you just want to focus on the guitars. Is that your full review btw?