Quote:
Originally Posted by rostasi
The other versions of Hymnen are great as well.
My first time experiencing it live was with Stockhausen
himself as klangregie. Later he taught me how to engineer
the sound in the space. Later performances were with him
being present too.
I will disagree on the Xenakis statement tho.
My third favorite work of all time is his Bohor from 1962.
*Schaeffer* BTW
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That's incredible you knew Stockhausen. I was fortunate enough to attend a few lectures by Vladimir Ussachevsky but only ever asked him one question and that was during an official Q&A thing. I asked him a bumbled question about his recording techniques and felt terribly embarrassed afterward. It was obvious I just wanted to talk to him but was too stupid to come up with a respectable question.
For whatever it's worth over the last year or so I've become more and more enamared with Olivier Messiaen.
I have no idea where it ranks among all his works but I love Xenakis' percussion music.