01-14-2016, 12:29 AM
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#261 (permalink)
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Join Date: Oct 2014
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Posts: 7,201
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Quote:
Originally Posted by JGuy Grungeman
Are either of those symphonic prog? Because I thought symphonic prog could possibly have a separate list. I decided against it since a lot of symphonic prog is already in the prog list and I don't think Technic's up to reordering half of that. We did just get done with prog.
I could never get into KC, but I don't think any album of theirs deserves more than Court, since I do believe it's the best. I can also write a symphonic prog list.
1. Yes - Close to the Edge (replaced with Fragile on the prog list since Close to the Edge steers more toward symphonic)
2. Camel - Mirage
3. Moody Blues Days of Future Passed
4. Kansas - Point of Know Return (Leftoverture is barely symphonic, Point is very symphonic.)
5. King Crimson - Lizard
6. Änglagård - Hybris
7. Steve Hackett - Voyage of the Acolyte
8. Emerson, Lake & Palmer - Emerson, Lake & Palmer
9. Electric Light Orchestra - Eldorado
10. Transatlantic - Bridge Across Forever
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Symphonic prog is a pretty meaningless genre.
From Progarchives:
Quote:
Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.
The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
Mixture of elements from different genres.
Complex time signatures.
Lush keyboards.
Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
Non commercial approach
Longer format of songs
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