Quote:
Originally Posted by VEGANGELICA
For example, with Close Encounters of the Third Kind, you just have to hear those five notes, "Doo Doo Doo DOO Doooooo," and you know what movie they are from.
|
Do you think that that's because of John Williams' composing skills or more because those five notes are used as a plot device? I'm leaning toward the latter, since it's not a particularly notable song.
Better film composers: Elmer Bernstein, Johnny Greenwood, Mica Levi, Mike Patton, Art Zoyd (if you can count them, they did soundtracks after the movies had been released), and Philip Glass.