10-11-2015, 03:13 PM
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#15 (permalink)
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one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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ANTHONY PATERAS & ROBIN fOX
Flux Compendium
Flux Compendium « ROBIN FOX
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Tracks are quite short, each with a distinct character, multi-dynamic and in constant flux. The comparatively brief opening barrage of “Apocalypse Now And Then” is a wacky, scratch ‘n’ sniff manipulation of electroacoustic clichés and sci-fi effects, bizarrely juxtaposed with a compendium of bodily functions – “punk concrète” as its authors call it. The way Pateras licks around the mic on “Aphasia” and “Olfactophobia” is quietly disgusting, while “$2.50” is a relief from orality in its focus on bell and coin sounds. The compressed and fractured argument of “Threat In Three Parts” leaves this listener in stitches, while “Perilymph” is untypical in its 13-minute length, and haunting, glitch-inflected evocation of the sine-wave/sci-fi school of electroacoustic composition. To process Pateras’s signal, Fox employs a variety of techniques, mostly involving live sampling and manipulation of those samples, he explains – moving between real-time musique concrète and a kind of granular synthesis which inserts pre-designed ideas or licks built up from grains of sound. Make no mistake, Pateras and Fox are serious and major artists who happen, on occasion, to be very funny. Flux Compendium is a scream and also very beautiful, the finest showcase to date of their compositional flair and wit.
Andy Hamilton
Wire Magazine
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Flux Compendium - Anthony Pateras & Robin Fox - Editions Mego
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Ectoplasmic drool, ruptured voice, multi-temporal cash, concerti for nostrils, hyperactive excursions into comedy and violence. An aural textbook of constant change presenting a multi-dynamic evaluation of what may be possible with what we have at this point. Equal parts postwar beard and modern patchnocrat, Flux Compendium sees two of Melbourne's hairiest sons nose dive and writhe in their unique take of sonic totalism, rising out of the muck with their kaleidoscopic best. Far from the lifeless plague of spacebartronica, they execute an electrified real-time homage to some of their favorite obsessions: breakneck pacing, vocal hysterics, blistering textures, bodily functions and dysfunctions. Eschewing their intuitive beginnings in favor of more a concrète punk miniature aesthetic.
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