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Originally Posted by Frownland
No horns or gates, just bass, flute, piano, and my friend's dog also makes an appearance. And of course you think it sounds like Tom Waits  . |
I don't know if you're familiar with
The Final Cut (I'm gonna assume you are)? It's like that sound just before "Your possible pasts" begins.
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Huh? I have no idea how you got that connotation from that track, especially since the lyrics are about lesbian sex (if you can make them out).
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It was kind of a joke. You sound like one of those mullahs in the towers calling everyone to prayers. That kind of wailing noise you always hear.
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Crickets, yes, but more importantly there are coyotes.
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Ah, but are there roadrunners?
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Kind of figured that it would end up this way. It makes me wonder how you would receive the album if the tracks were arranged differently. Something like putting all of the relaxing and ambient tracks (ie Caught Between the Gears, Birth of the Emboweler, and Prodding a Pile of Rotten Meat) at the end instead of separating them.
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I was pretty desperate to find something of your music I would like and could write favourably about, as I think you're a great guy and a talented musician with some great (if odd) creative ideas. But I really struggled. I feel like a father listening to death metal and asking his kid why he can't play some nice rock and roll or something?
Maybe, maybe one day. Thanks for not being too offended though: I know this music is uber-important to you and I would not want to make fun of or belittle it, but this is the chance you take when you review the music of someone you know and respect.