01-29-2015, 04:05 PM
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#2683 (permalink)
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Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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Rosebud is the emblem of the security, hope and innocence of childhood, which a man can spend his life seeking to regain. It is the green light at the end of Gatsby's pier; the leopard atop Kilimanjaro, seeking nobody knows what; the bone tossed into the air in “2001.” It is that yearning after transience that adults learn to suppress. “Maybe Rosebud was something he couldn't get, or something he lost,” says Thompson, the reporter assigned to the puzzle of Kane's dying word. “Anyway, it wouldn't have explained anything.” True, it explains nothing, but it is remarkably satisfactory as a demonstration that nothing can be explained. “Citizen Kane” likes playful paradoxes like that. Its surface is as much fun as any movie ever made. Its depths surpass understanding. I have analyzed it a shot at a time with more than 30 groups, and together we have seen, I believe, pretty much everything that is there on the screen. The more clearly I can see its physical manifestation, the more I am stirred by its mystery.
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*farts*
Yes, it's a metaphor. I get that. We all get that. That doesn't make it any less of a goofy thing for someone to say on their deathbed. The fact that someone like Ebert is jerking off so hard trying to explain it doesn't make it any less dated of a scene. I can appreciate that for its time, it may have been a masterpiece. But it is not that time anymore, and I should not be expected to abide by the same standards as people from more than half a century ago just cause they say I should.
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Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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