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Old 06-17-2013, 01:50 PM   #141 (permalink)
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Originally Posted by Pedestrian View Post


For the past nine months, I have been playing mind games with the unfortunate friends and colleagues of one enterprising young auto mechanic who once failed to pay his cell phone bill. In the riveting sequel to I'm Not Drew, one college student with the gift for levity investigates a small-time criminal, but takes on more than his name when she assumes his identity in:

Nope, Still Not Drew or: Continued Misadventures in Identity Theft

Jesus Christ, I'm Veronica Mars.

Fade in to: Christmas morning, and I'm sitting with my cup of coffee, when I receive a new message from Drew's private circle.

Unknown: Merry Christmas!
Self: Merry Christmas to you too!

It seemed jovial enough, but little did I know, I was about to get a clearer picture of Drew's dark side. Some weeks later I receive a new opportunity to prove that I am the Ken Jennings of automotives.

Unknown: My battery isn't starting, what do you think it is?
Self: It could be a lot of things.
Unknown: It's probably a loose wire or something.
Self: Yes, it's that.
Unknown: Got it, thanks!

I have been receiving so many voicemails and texts for Drew that at this point, I have to start labeling his contacts in my own address book, which is now half-full of names such as Not Drew Al, Not Drew Creditor, Not Drew Landlord, and now Not Drew Truck Owner.

These incidents go interspersed with voicemail messages left for Drew (recall that my recording is "I'm NOT Drew. Nooooooot Drew. This isn't Drew, and Drew's not here") by various credit agencies around the valley.

Creditor: Hello, this is Valley One Credit leaving a message for Drew Corb--

Oh, not this shit again, this costs me money. Message deleted.

Creditor: Hello, this is CIBC calling for James Andrew--

Well now, that's interesting. This is now the third name for Drew I've heard left on my voicemail. Based on the frequency and urgency of calls, it would seem that Drew's been grifting a number of businesses around the city for months now.

More and more, it's sounding like Drew is the kind of guy I don't want to be.

New Unknown: It's five thirty. You got what I need today?
Self: What's up man?
New Unknown: You gonna meet me at the sails across from Dino's?

I know from past encounters that Drew is a part-time drug dealer, and it's obvious that this new number is a customer. Dino's, though. That sounds familiar. I went to an awkward birthday party where alcohol was banned and food was overpriced at a lounge called Dino's a couple months ago.

I hop on Google maps, and look up Dino's. I stand in the street, and do a rotation. Sure enough, there it is. A giant fountain sailboat.

Self: Yeah I'll meet you. Just let me put on some pants.
Customer: What? Lol, OK?

If you thought I was actually going to go and meet Drew's client, then you've both overestimated my curiosity and underestimated my intelligence, but it's not long before I receive another breakthrough in the case.

Not Drew Truck Owner: Go take a look at that yellow truck in front of Del Ando's!
Self: Holy shit!

I figure that whether this truck is a thing of beauty or a bag of ass, that ought to cover it.

Not Drew Truck Owner: I know, right? Hahahahaha!

Nailed it. But this gets me thinking. If Truck Owner knows that Drew is going to be in one place long enough to send him a text and tell him to look outside, it means that Drew is either expected to be at home or at work.

Google maps. Del Ando's. It's a towing place in a warehouse district on the opposite side of town. I travel up and down the street for a minute, looking at the scant few businesses across the street. Towing. Recycling. Motorcycles. Auto mechanic.

There it is. I know where Drew works.

My personal neo-noir adventure takes an amusing turn however, and before I have a chance to stalk Shady Drew like I'm Dexter, I receive the most tickling update yet as a voicemail (Note: "I'm not Drew. Nooooooooot Drew").

Lady: Hi Drew, give me a call back. It's your mom.

In my haste to replay the message for my roommate, I call Drew's Mom back like a knob, and hang up on her abruptly. The phone buzzes. A new voicemail ("Nooooooooot Drew").

Drew's Mom: Hi there Drew, I don't know what happened, but call me back, it's your mom.

So, to recap, Drew is a shady auto mechanic, part-time drug dealer with a constellation of names and obviously bad credit. He works across the river, but lives close enough to town to make "The Sails" a convenient meeting place to deal drugs. He eats hot wings on Wednesdays with a guy called Al in a pub with a hair-metal pun for a name, but he can't be bothered calling his mum to give her his new number because he's a crap son.







May or may not be dead.
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Old 06-17-2013, 06:21 PM   #142 (permalink)
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Quote:
Originally Posted by Pedestrian View Post


For the past nine months, I have been playing mind games with the unfortunate friends and colleagues of one enterprising young auto mechanic who once failed to pay his cell phone bill. In the riveting sequel to I'm Not Drew, one college student with the gift for levity investigates a small-time criminal, but takes on more than his name when she assumes his identity in:

Nope, Still Not Drew or: Continued Misadventures in Identity Theft
...May or may not be dead.
Pedrewstrian LOL.

You should sell it to HBO.

Last edited by Stephen; 06-17-2013 at 06:51 PM.
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Old 06-17-2013, 06:45 PM   #143 (permalink)
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I think Trollheart meant to post a picture of Nancy Drew.
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Old 06-17-2013, 06:51 PM   #144 (permalink)
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Originally Posted by Pedestrian View Post
I think Trollheart meant to post a picture of Nancy Drew.
Well I'm currently reading Sherlock Holmes stories for my sis so that was the immediate idea that sprang to mind. But yes of course it should have been Nancy. Or Miss Marple. Nah, you're much prettier than that. Nancy it must be.
Not as much on her though....
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Old 07-11-2013, 04:18 PM   #145 (permalink)
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.

Last edited by Paedantic Basterd; 04-24-2021 at 02:51 PM.
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Old 06-05-2014, 11:02 AM   #146 (permalink)
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Aiden - Nightmare Anatomy (2005)

Before We Begin May we just admire this album cover for one moment, which looks like Gordon Ramsay turned into a giant fruit bat? Good. Also, I would like to note that, while I typically select a band's best rated release on RYM to give them the fairest chance, Aiden's discography ranged from a 1.99 to a whopping 2.6, so in this instance I have chosen their lowest-rated release. Now that I bring it up, I had a difficult time finding a decent bitrate of this album, because you know, when you're listening to bad music, only the purest and cleanest horse**** will do.



Total Plays 8

What I Remember Maybe it's because the lead singer looks like a vampire toad, but I feel like I remember his nasally voice, and I know that after 8 plays, I hated this band. That might have been on its own merit, but I also remember that they were the laughing stock of the Scene back when I was seventeen. Yes, kids who listened to Avenged Sevenfold thought this band was horrible.

01 Knife Blood Nightmare Literally the first lyric on this album is "AUUUUUUUUUUUUUUUGHHHHH". All of my expectations are thus met.

02 The Last Sunrise A bit of chugging and noodling, and then a clearly teenage voice snarling lyrics, possibly about being a vampire. Choice lyrics include "This nightmare won't last long//are you scared to sing this song?" All of these allusions to Dracula make me think about how I once ruined Interview With a Vampire for my best friend by pointing out all of the homoerotic undertones in the interactions between Brad Pitt and Tom Cruise.

03 Die Romantic This is the third consecutive song to mention nightmares, and considering the album title, I'm starting to wonder if it's coincidence or some semblance of a concept album. Wikipedia tells me nothing, except that this is the band's most commercially "lauded" album, which resolves the question of why Scenekids hate it.
The chrous of this song is inevitably going to become lodged in my head as a result of its simplicity and repitition: DIE ROMANTIC, ROMANTIC, ROMANTIC, IT'S ALL WE NEED /repeat.

04 Genetic Design For Dying This is the quintessential "slow anthem" song on the post-hardcore/pop punk album, about running away from your parents and doing heroin.

05 Breathless And the word "nightmare" is mentioned before I can even type up the countdown joke about it. I am going to go out on a limb and say that this is deliberate, though I'm pretty sure it takes more than just repeating a word in every song to make something a "concept album". No? Okay, I'll tell Pink Floyd to go home.

Musically, nothing has changed from the first track, although some songs include less throaty anguish than others. Mostly it's quick power cords and a bit of noodling with some borderline-shouting, but wait! This song has an outro! Two acoustic notes alternating and some wind noises? Epic.

06 Unbreakable (I.J.M.A.) Going to go out on a limb here and predict that I. J. M. A. stands for "I'm Just Mad at Adults".

07 It's Cold Tonight This is an ode to slitting wrists, throats, and setting fire to buildings (probably highschools). This reminds me of a fun game to play with all of the youths you know: Teenage Boy, Or Serial Killer! E.g. The new guy at work says "people are so stupid, haha, there are a lot of them I'd just like to shoot". Is he: A) A teenage boy or B) A potential shooting suspect the FBI should know about? Can't tell? THAT'S THE FUN!

08 Enjoy the View For some reason this track is completely missing from what I downloaded, so I don't even get to listen to it. OH SHUCKS WHAT A SHAME.

09 Goodbye We're Falling Fast Chugchugchug-ch-ch-chug (noodlenoodle). The nightmare motif seems to have faded away after track 6, so I no longer understand the direction of this album, but I think this is a retelling of Romeo and Juliet, where lovestruck teenagers jump off a building together. And wait for it... YES! EpicXcore slow acoustic breakdown! This album is everything I'd ever hoped it would be.

10 The City is Far From Here The penultimate track makes an effort at sounding aggressively hopeful, with some sort of uniting and uplifting chorus, including a buildup of guitars and intensely (hilariously) spoken words into the chorus. And this treasure, "Look what I've done now//I'm dying for love and you're bleeding".

11 See You in Hell... This is the only track over 3.5 minutes (blessedly), which is naturally supposed to be the enraged-anthem track, complete with call-and-response gang vocals. No pop punk album is complete without gang vocals.

Conclusion This was pretty much run-of-the-mill-awful, without being outrageous enough to really make fun of. Perhaps that lack-of-impression is the entire reason even 00s emos have trashed this band. A lot of artists would rather make a bad impression than none at all.

Oh, but before I end this, I want to share this with you.

Spoiler for And now it's stuck in your head too:

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Old 06-05-2014, 01:53 PM   #147 (permalink)
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Quote:
Originally Posted by Pedestrian View Post





Aiden - Nightmare Anatomy (2005)

Before We Begin May we just admire this album cover for one moment, which looks like Gordon Ramsay turned into a giant fruit bat? Good. Also, I would like to note that, while I typically select a band's best rated release on RYM to give them the fairest chance, Aiden's discography ranged from a 1.99 to a whopping 2.6, so in this instance I have chosen their lowest-rated release. Now that I bring it up, I had a difficult time finding a decent bitrate of this album, because you know, when you're listening to bad music, only the purest and cleanest horse**** will do.



Total Plays 8

What I Remember Maybe it's because the lead singer looks like a vampire toad, but I feel like I remember his nasally voice, and I know that after 8 plays, I hated this band. That might have been on its own merit, but I also remember that they were the laughing stock of the Scene back when I was seventeen. Yes, kids who listened to Avenged Sevenfold thought this band was horrible.

01 Knife Blood Nightmare Literally the first lyric on this album is "AUUUUUUUUUUUUUUUGHHHHH". All of my expectations are thus met.

02 The Last Sunrise A bit of chugging and noodling, and then a clearly teenage voice snarling lyrics, possibly about being a vampire. Choice lyrics include "This nightmare won't last long//are you scared to sing this song?" All of these allusions to Dracula make me think about how I once ruined Interview With a Vampire for my best friend by pointing out all of the homoerotic undertones in the interactions between Brad Pitt and Tom Cruise.

03 Die Romantic This is the third consecutive song to mention nightmares, and considering the album title, I'm starting to wonder if it's coincidence or some semblance of a concept album. Wikipedia tells me nothing, except that this is the band's most commercially "lauded" album, which resolves the question of why Scenekids hate it.
The chrous of this song is inevitably going to become lodged in my head as a result of its simplicity and repitition: DIE ROMANTIC, ROMANTIC, ROMANTIC, IT'S ALL WE NEED /repeat.

04 Genetic Design For Dying This is the quintessential "slow anthem" song on the post-hardcore/pop punk album, about running away from your parents and doing heroin.

05 Breathless And the word "nightmare" is mentioned before I can even type up the countdown joke about it. I am going to go out on a limb and say that this is deliberate, though I'm pretty sure it takes more than just repeating a word in every song to make something a "concept album". No? Okay, I'll tell Pink Floyd to go home.

Musically, nothing has changed from the first track, although some songs include less throaty anguish than others. Mostly it's quick power cords and a bit of noodling with some borderline-shouting, but wait! This song has an outro! Two acoustic notes alternating and some wind noises? Epic.

06 Unbreakable (I.J.M.A.) Going to go out on a limb here and predict that I. J. M. A. stands for "I'm Just Mad at Adults".

07 It's Cold Tonight This is an ode to slitting wrists, throats, and setting fire to buildings (probably highschools). This reminds me of a fun game to play with all of the youths you know: Teenage Boy, Or Serial Killer! E.g. The new guy at work says "people are so stupid, haha, there are a lot of them I'd just like to shoot". Is he: A) A teenage boy or B) A potential shooting suspect the FBI should know about? Can't tell? THAT'S THE FUN!

08 Enjoy the View For some reason this track is completely missing from what I downloaded, so I don't even get to listen to it. OH SHUCKS WHAT A SHAME.

09 Goodbye We're Falling Fast Chugchugchug-ch-ch-chug (noodlenoodle). The nightmare motif seems to have faded away after track 6, so I no longer understand the direction of this album, but I think this is a retelling of Romeo and Juliet, where lovestruck teenagers jump off a building together. And wait for it... YES! EpicXcore slow acoustic breakdown! This album is everything I'd ever hoped it would be.

10 The City is Far From Here The penultimate track makes an effort at sounding aggressively hopeful, with some sort of uniting and uplifting chorus, including a buildup of guitars and intensely (hilariously) spoken words into the chorus. And this treasure, "Look what I've done now//I'm dying for love and you're bleeding".

11 See You in Hell... This is the only track over 3.5 minutes (blessedly), which is naturally supposed to be the enraged-anthem track, complete with call-and-response gang vocals. No pop punk album is complete without gang vocals.

Conclusion This was pretty much run-of-the-mill-awful, without being outrageous enough to really make fun of. Perhaps that lack-of-impression is the entire reason even 00s emos have trashed this band. A lot of artists would rather make a bad impression than none at all.

Oh, but before I end this, I want to share this with you.

Spoiler for And now it's stuck in your head too:

Totally gonna buy this for a gag gift now. Awesome run down.
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Old 06-28-2015, 10:16 PM   #148 (permalink)
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Melodramatic Camping Log, Day 1:


Hour 0: Ben brought two fudgecicles for our road trip, packed in ice in his cooler. They have melted. We have not yet left the driveway.


Hour 3: We stop to buy alcohol. This is integral to The Camping.


Hour 4: A mosquito has flown in the car window and landed on Ben's hat. Upon hearing this news, he has begun to shout and swerve the car. I strike him a number of times, although the mosquito departed some minutes ago.


Hour 5: We have arrived at The Camping, which is a dirt path so heavily forested, the sun is blotted out by trees.


Hour 5: Correction, it is actually a cloud of mosquitoes.


Hour 6: We have fled The Camping covered in welts. Ben's legs have doubled in thickness from the bites. Our fellow campers looked on as we set up half a tent, shrieking and smacking one another, cursing wildly. Ben thinks we should sleep in the car, while I say we've seen enough nature and can now go home.


Hour 8: We marinate in deet.


Hour 10: We return to The Camping and spend over an hour searching for the toilet in the dead of night. The campground is a labyrinth. I pass the same cottage seven times in the dark. In abject desperation, I relieve myself behind the car, and stumble back to the tent with a bare foot and a broken spirit.


Hour 11: We return to the half-tent. The mosquitoes have departed, and we finish putting the tent together.


Hour 12: We take the tent apart and rebuild it, but this time not on top of the fire pit.


Hour 14: Signing off.




Melodramatic Camping Log, Day 2.




Hour 18: The tent is not ventilated, and throughout the night I must periodically wring out my bedding and pajamas outside the flap, lest Ben or I drown face-down in a reservoir of human sweat.


Hour 20: It is morning. Although it is early, it is so hot the tent is a sun oven and even the mosquitoes have given up.


Hour 21: Correction, they have all relocated to the interior of the car.


Hour 21: We traipse into town for breakfast at the local eatery. There is something on the menu called "The Duckstomp", which appears to be a skillet-scramble with a cinnamon bun on top.


Hour 22: I stop counting my welts after forty-five.


Hour 23: Ben takes the car to visit the locals. I spread myself out on a picnic table under the skies and wait for God to take me as a sacrifice. He doesn't, and this is a disappointment. I roll over and nap face-down in the middle of The Camping.


Hour 26: Ben returns. He decrees I have sun stroke, and passes me water. One of the wet fudgecicles has burst inside the cooler. All of our provisions now float in a milky brown slurry of ice and crushed dreams.


Hour 31: Ben is an addict. It has been barely a half hour and he must re-apply his deet. He claims he can feel the mosquitoes on his skin and in his clothes. I tell him he can fight it, but he is not strong enough. He empties our second can of deet.


Hour 32: We produce a camp fire, and immediately realize we are much too tired to tend it. We douse it and retire for the night.


Hour 37: Ben bolts upright in the night, and says to me "Meg, get up, it's time to go. Oh, wait, it's five AM. Nevermind". Within a minute and a half he falls back to sleep. I lie awake for two hours.


Hour 40: Ben is a mosquito bite.


Hour 43: We wait until the morning is at its absolute hottest point before choosing to crawl inside the tentoven to pack up our belongings. I change my clothes three times. When I emerge, it is 110% like that scene from Ace Ventura.


Hour 44: We did it! We did camping and now we can go home! The Camping is complete.



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Old 06-28-2015, 11:03 PM   #149 (permalink)
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It's nice to see your journal back on the front page!

Anyway, that sounds like a pretty horrible experience. I'm sorry that your camping trip was such a mess.
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Old 06-28-2015, 11:16 PM   #150 (permalink)
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That's why I camp in the late fall/winter/early spring, tent-ovens suck suck suck suck. Hopefully you and Ben can make another trip where the conditions suck far less.
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